Keep multiple characters distinct in AI art.

Write one compact description per subject. Person A might be an adult courier with cropped red hair and a dark coat. Person B might be an older adult mechanic with gray curls and a light work shirt. Assign a place in the image to each: courier on the left, mechanic on the right.

Do not write a pooled list such as “red and gray hair, coat and shirt” and expect the model to resolve ownership. Repeat a role label when you describe an action so you can follow the intended person through the prompt.

NovelAI documents a dedicated multi-character interface. That is a tool-specific workflow, not proof that its separators or character boxes exist in Lewdora. In Lewdora, use the controls the selected model exposes and inspect the resulting assignments.

Start with the two people looking at a noticeboard or standing on opposite sides of a table. These arrangements let you inspect both bodies without complicated contact. A hug or a handover adds occlusion and makes ownership of limbs harder to judge.

Proposed brief: “Two original fictional adults at a station noticeboard. On the left, an adult courier with cropped red hair and a dark coat. On the right, an older mechanic with gray curls and a light work shirt. Both stand apart, looking toward the board, waist-up wide composition.”

This example is a writing exercise, not an output claim. Use it to identify the decisions in your own scene, then replace the roles and setting. Keep the wording that assigns a feature attached to the person who owns it.

Check subject count, position, hair, clothing, and apparent adult age. Then inspect arms, hands, and contact with objects. A correct head count can hide a swapped face, and a correct face can distract from an extra limb.

If the identities mix, remove optional details from the scene and regenerate a simpler composition. Where the selected model supports reference inputs, inspect how those inputs affect both people. Do not promise independent identity locking without evidence for that workflow.

Once the separated scene works, introduce one interaction. A courier pointing at the board is easier to review than both people exchanging several objects. Name the arm or hand only when the side matters to the composition.

Follow each visible limb from shoulder to hand. Check whether one person’s sleeve connects to the other person’s fingers. If overlap stays ambiguous, change the camera or choose a moment before or after contact. A different storytelling beat may solve the production problem.

For exact blocking, use an authorized pose source if compatible. Keep in mind that the source may influence proportions or scene arrangement beyond the intended gesture. Save the simpler accepted version before experimenting.

Keep each person’s identity notes with the accepted image. Mark defects that an illustrator must repair and distinguish them from intentional overlap. If the scene will become a comic panel, leave room for lettering in the planned crop.

A separate character image and a background can be easier to assemble in an external editor when the generator keeps merging subjects. Lewdora does not provide a guarantee of layered exports or independent subject editing. Choose the production route based on the output you need, not the number of prompts you have tried.